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mrchoppedslefthand · 2 months ago

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[SPOILERS] Homicipher Is Actually Romantic, Convince Me Otherwise [Analysis/Opinion] [SFW]

Word count: 3,332

Edit: 11/7/2024

[Feel free to skip to the last objective "Individual route discussion + what made it romantic" if you want to get straight to the point]

Homicipher is truthfully a romantic (or platonic) game. It is a game that has to be looked at from a different perspective when it comes to love/romance. A game where you have to take in consideration of the characters and the nature of their 'other world'. Today's post will discuss into what I believe made Homicipher an oddly, but romantic game, despite its shortcoming and abrupt ends.

⚠️[MAJOR LORE/CHARACTER ROUTE SPOILERS] ⚠️

Discussion Objectives:

Definition of Love & how it plays into Homicipher

The nature of the 'other world' and ghosts

Individual route discussion + what made it romantic (thoughts)

What Is Love & How Does It Play Into Homicipher?

Love has many layers of definition and associations. Maybe, that is why some may deem Homicipher to be "unromantic" and some disagree on that thought. It also varies based on the type of content/exposure you had consume in the category of love [whether romantic or platonic]. Socially, from a common standpoint, love is a strong attachment or affection for someone. Often from a social standpoint associated with dates, affection, and intimacy. However, love is always changing, since it is a social script on what its suppose to be, and changes as society progresses. Some notions stay the same but some begin to change (just like how language and certain concepts begin to change in the other world, a different society from our own). For the sake of a "true" definition of love. I will be using the definition offered by the Oxford Language Dictionary. So, what is love?

Love as a noun is...

"An intense feeling of deep affection"

"A great interest and pleasure in something"

"A person or thing that one loves"

Love as a verb is...

"Feel deep affection for (someone)"

"Like or enjoy very much"

Not long after its release there had been a fair number of comments/reviews criticizing Homicipher for its lack of romance. This claim is NOT entirely wrong. From the expectations of a "normal" Otome/dating sim it doesn't necessarily meet the requirements because of its lack of intimacy, affection and interest from a HUMAN/SOCIETAL perspective. We must remember that romance/love does not necessarily equate to kissing, hand holding, and intimacy especially considering that these are the HUMAN (societal) views on what romance/love is. A concept that had become lost in the 'other world'. So how can we call Homicipher romantic if we have to cross out the influence of our society? The answer is that we can't fully avoid it, HOWEVER, we must be open to a different perspective of what 'their' version of love is (platonic love/or romantic). No matter how lacking, dense, twisted and grotesque the moments we have spent with these ghosts are. In some shape and form it CAN equate itself to love (platonic/ or romantic). I think a lot of people forget that time itself can be equate to some complicated level of love. The fact you spend time with someone, and it develops to something further for worse or better, something that even love may not be able to name, is what this game demonstrates.

Homicipher has a consistent theme, the loss of truth, the acceptance of ignorance and the concept of eternity. Which shockingly is where the romance comes from. When we allow ourselves to rot in that world. When we ignore the exit and choose to stay, is where the romance comes through. Love is complicated. What can I say?

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The Nature of the 'Other World' & Ghosts

Alot of the ghosts we encounter can be friendly, but also just as deadly. We hear it from almost all of the casts warning or discussing about how dangerous a lot of the ghosts (including themselves) roam in this world, and in different endings, succumb to this danger ourselves. The longer we stay in this world, we soon start to become no different. As we, a human, begin to slowly transform into a different entity. We begin to react more violently (though it can be argued that since our MC is a serial killer, she might have just been violent and cruel in general). When angered, or things start not to go her way, she gets filled with bloodlust and takes it out on who she's with. Killing is a common thing to do in this world, especially when experiencing anger, sadness and even boredom. The concept of death is a little complicated as they can easily regenerate themselves back to "life". As the game progresses, we learn that some of these ghosts cannot grasp certain concepts (such as love), remember their own name and self, and don't have exact words (sometimes none) for items.

When sometimes even confessing that you like some of the ghosts they question you, and state that they cannot understand you or that feeling (platonic/ or romantic). We are in a setting that is beyond the mortal realm, there aren't any exactly "ideal" dates in a place different from the moral realm... so you're going to be stuck in a scary place, having a scary "date".

However just because they cannot understand the concept of love, doesn't meant that they can't feel it. It is something that the body may still feel, and the mind not being able to put an identity to that feeling or even situation, since meanings and concepts get lost within this realm. The fact that we are allowed to spend an eternity in this realm, with our handsome casts of ghosts. Is oddly and sadly romantic. For Mr. Crawling it is his devotion and loyalty to you, it is how he worries and cares for you, it is his affection and attempts to soothe you. For Mr. Silvair it is his care for you (as research of course lol), your usefulness (which is why he is attracted to you), but even then, one of his endings he keeps you as a head, when you had become useless to him. For Mr. Gap he finds you intriguing, he wants to play and follow you around, always asking for parts of you with consent, loves to brag about himself to you. For Mr. Chopped it is his want to rely on you, to feel safe with you, to protect him, to spend time with him. For Mr. Hood it his willingness to help you for an eternity, to roam with you forever, keeping you away from danger. For Mr. Machete it is the fact you both spend an eternity searching for a home together, to suffer boredom together, to suffer within each other's presence. For Mr. Scarletella it is his obsession for you and his willingness to spend an eternity with you.

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Individual Routes + What Made Them Romantic

[Not in any particular order]

Mr. Crawling

If I had to rank who had the most "romantic" route overall, it would be Mr. Crawling. With the definition usage of love from the Oxford dictionary, verb and noun he checks all the list. Not only that, but we spend time with him the most out of all the other casts. He was the very first ghost we meet (briefly in the beginning) and got stuck with. We are like a baby bird imprinting on him because we saw him first and spent time with him the most, so of course we might feel the most attached to him compared to the others. As the game progresses Mr. Crawling doesn't fail to let us know that he cares for us and our safety warning us of the dangers that come and explaining how to navigate our way around danger. He expresses his worries when we disappeared. He seems to have some concept of love (platonic/ or romantic) as he admittedly tells us that he likes us and ask us if we like him. He expresses how he wants to follow and protect us. He also has so many cute scenes! Scenes where he pats our head, scenes where we lay together, chat a lot together. He is devoted and loyal to us, never harming us even once.

We even get a scene where he gets jealous when we called Mr. Chopped cute with the cat headband! So, he also makes an attempt to be cute too! We are always together with him, and that makes us BOTH happy. Although we don't have our traditional romantic dates like shopping, movie night. We get a bed scene and get to take him back home with us.

There are many types of romance. Platonic and romantic. You the reader/player is allowed to view it however you want. The game does not punish you for the lack of interactions with the casts. You just end up missing out on certain scenes/moments with them is all. However, for the sake of this post I will be making attempts to talk about the romantic aspect (but platonic romance can also be put into place).

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Mr. Silvair

lt's apparent that Mr. Silvair keeps us as research material and confines us in his lair. He is interested in our body, and also interested in returning our mind/intellect back to its original state. It is this interest in us that makes him "love" us. Does confinement and research count as love? Well...maybe not in terms of human definition but in the Mr. Silvair way, it's the closest thing you can get to romantic (or platonic). Afterall, the concept of love has become lost in this world.

I believe he still has some attachment to us, because in the ending A Head's Life, he still keeps you as a companion along with Mr. Chopped. He claims that you are no longer useful/capable but that it is okay, as long as danger is no longer here. When you choose to ask him why he did what he did and ask if he likes you, he tells you it was for research and that love is something he cannot understand. He also doesn't understand why you get so angry when he helped you return your intellect back. He still though has some sort of concept of empathy, because in his route when you choose to kill him and hide yourself away. He comes follow you and expresses that he's sorry and tells you a little about himself. He allows you free will, at this point, allowing you to leave him or stay with him.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Gap

Mr. Gap always wants a piece of us, literally. Why does he? Because it's just for fun. The most interaction we get with him is through the multiple crevices within this world and the short route he gets in chapter 4. He takes but sometimes may give. However, he doesn't fail to be thoughtful. It's hilarious how in chapter 4 when he offers us a crowbar in exchange for your heart, you can just smack him for it with no consequences. He also likes to brag about himself to you which honestly is a little cute. With his ending Return, we only have him left in the 'other world'. Our comfort lies with him, although he may be a little annoying, he is the only one we have left. We maybe have become a little codependent on him, but maybe he likes that?

God his annoyed/disgusted face is so hilarious, do it again Mr. Gap! He seems to stick around with us mainly just for funsies and being nosy, and honestly, he is so real for that. But it seems he likes to stay around with us at least. In the return end he is with us, and continues to stay lurking, perhaps watching over us until he is needed. Quite handy am I right? Haha.

He is depicted as quite the gentleman, but also just as fun and teasing. There are times where he does help you with no charge, such as barging into his hole (the face he makes in that scene is hilarious). Again, when presented with beating him for your crowbar, he gets a little upset but, honestly still helps you out. He probably thinks violence is funny which is why he constantly still teases you by asking to take away your body parts. It's just too fun!

Someone had brought up to my attention that Mr.Gap tends to ask for parts that can be easy to part with as we progress. Asking for our feet, legs, and fingers instead, when he seems to still clearly prefer the heart over the other parts. He adjusts his request when he realizes we won’t give our heart.

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Mr. Chopped

Mr. Chopped is just a head; how can he possibly be or have anything romantic? Well, not necessarily to the level of Mr. Crawling but, we get to have a few small moments with him and spend some time with him. Since he is just a head, he can't help but need to rely on others. Of course, he has to be selectively about it because falling in the wrong hands devastates him.

Mr. Chopped when he gets forced into playing with the deer child, he seems happy to see a familiar face and calls us out to help him. Our poor baby was in trouble!

His ending head hunt is tragically sad but also bittersweet. MC cares so much about Mr. Chopped that she spends an eternity as an entity searching for a lost head, searching for Mr. Chopped who she failed to rescue.

During his own special route Mr. Chopped does his best to help us, but there is only so much a head can do. To make up for his lack of body though, he seems to be more expressive with his mouth and emotions. We get to take him to get a haircut and wash his hair. This seems pretty date like to me. Although our time was abrupt and short with Mr. Chopped. It makes me happy that we get this small, cute scene with him, which makes him much more lovable.

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Mr. Hood

Mr. Hood protects you from harm, and also heeds your commands. He also carries you around. He means no harm and is there to guide. He cares for your safety and seems to dislike anything dangerous or threatening towards him and others that he protects.

At the end of his route, he states how often you get in danger and takes you with him, telling you that he must protect you since you asked him to (referring to an earlier scenario when you asked him to stay with you, when you reunited with Mr. Crawling and the others, but he leaves). So I would assume he would always be by your side now eternally staying together and protecting you from danger when needed. How cute! Some people are into that. But personally, for me Mr. Hood felt more like a father/brother to me. Maybe it was because he was always willing to guide us? But some people are into the brotherly/fatherly type of men, and hey I don't judge.

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Mr. Machete

At first, I did not see the appeal to Mr. Machete, he seemed like a ghost that killed for boredom and most of the time we just followed him around aimlessly...WELL, after playing his route and letting it soak in my brain. That is entirely the whole point of his character. He is a ghost that had become bored because he had too much time on his hands and continues to search for his home. He is our tsundere dummy macho ghost, and honestly, I love that about him. He could've killed us again like how he tried earlier, but after that first attempt, he reluctantly allows us to follow him. It's funny how much he runs away if the odds are against him, and when he mocks us it's even more hilarious. Mr. Machete likes us if we are strong opponent for him, he even expresses that he thinks we are fun and likes us when we defeat Mr. Hugeface on our own.

Not going to lie, I fell for Mr. Machete right here. We were low on blood, and he just slices his hand, FEEDING us HIS BLOOD. Like OMG that was so hot, he opens our mouth forceful, and we drink his blood. He somewhat cares about us, to be doing all of that for us. After that we get a timed choice to stall or follow him. When you choose to stall he pauses with you and asks if you're okay and to catch up with him. For someone who had been reluctant and annoyed at us for following him, took a moment of his time to wait for you. He WANTED you to tag along with him. We then venture on with him aimlessly searching for his and our home. Torturing each other with our presences. But maybe, just maybe, they can slowly become that home together that they were searching for.

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Mr. Scarletella

I LOVE HIM SO MUCH. At first, he appears to be just any ghost that wants to attack us. It took me a while to warm up to him because of so little we knew about him. I thought he wanted to take our name for fun/or collection, but then it's revealed that he knows us. That he harbors some sort of love and obsession for us and believes that we love him because of all the blood and bodies we "offered" him. In a twisted way, this situation is a cute and romantic misunderstanding. Mr. Scarletella fell in love with us for providing him many blood and bodies. He wants us to spend an eternity with him. He WANTS to spend an eternity with us. He invites us to this other world because perhaps he wants us to become a ghostly being just like him, or maybe he wants to have easier access to us (since his myth that he only appears on rainy days) to meet us. Although we didn't get to have as many interactions with him, that is what makes this love toxic. It is a parasocial love, he fell in love with us from afar. When you piece everything together with your dictionary the words he proposes to you sound like wedding vows when you give your name to him. Which make it all so more lovely, even if he takes our soul away.

(My translation/interpretation of the scene, where he asks for your name)

Chapter 2, Scene 24

Scarletella: "You found your name...?"

Scarletella: "Teach me your name." (ARF ARF WRARF)

Scarletella: "I want you." (YES PLEASE)

Scarletella: "Will you give your name?" (OF COURSE)

Scarletella: "Your name?" (👁️👄👁️)

*You give him your name here*

Scarletella: "I have your name."

Scarletella: "I have obtained you." (YES YOU DID, COME TAKE ME)

Scarletella: "Let's leave together." (ARF ARF WRARFFFFFFFF)

Scarletella: "I love you"

Scarletella: "And you love me."

Scarletella: "You gave it to me...Thank you" (I'LL GIVE YOU IT ALL)

Scarletella: "Forever/eternally together..." (YES SIR)

Scarletella: "Together." (ARF ARF WRARRF ARFA)

He is quite the romancer hehe. It seems like Mr. Scarletella has some form of concept when it comes to love, which is to be together forever, even if you end up as a blood pool. Together is together.

I find it interesting how his two endings: Scarletella and Scarlet Rain parallels each other so well. In the Scarletella ending, we (mc unknowingly) give our consent to being together forever with Mr. Scarletella, but we are still alive. When MC wakes up, she sees a clear umbrella on the floor and picks it up. I believe that we have now embodied or spirited the umbrella, spending eternity with Mr. Scarletella. He owns us now.

However, in the Scarlet Rain end he becomes ours, the umbrella stays red, and we still, eternally are together forever.

#��字化化 #homicipher #mojibake #mozibake #mr crawling #mr chopped #mr silvair #mr gap #mr machete #mr scarletella #mr hood #homicipher analysis #homicipher thoughts #homicipher opinion #homicipher game

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miharuhebinata · 1 year ago

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the mindflayer is always gonna be the best st villain to me idc

#as much as i hate to say it i'll need to rewatch s4 at some point to make any meaningful comments on henry/vecna as a villain.#but based on overall vibes yeah i definitely like the mindflayer best. specifically in s2 though not so much in s3.#not that i think it was bad it just kind of lost its bite by that point.#stranger things #📺 tag #st posting #send tweet

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wifelinkmtg · 1 year ago

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TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT

So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"

The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?

And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?

INTRODUCING: THE DITCH

There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.

And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?

So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.

Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?

There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.

Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.

There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.

Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.

And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.

There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...

SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]

We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?

Atraxa, Grand Unifier (art by Marta Nael)

In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.

So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.

Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:

Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?

Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?

SPELLING IT OUT FOR YOU

There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.

The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.

There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.

A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.

Do you get it now?

ENDNOTES

It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.

I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.

I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.

#phyrexia #not defining the ditch except by implication #thanks to all the very smart vorthoi on the flavor text discord server for helping me work through my thoughts on fascism and phyrexia #this is technically the march of the machine review also #or as much of one as i care to do

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demi-god77 · 3 months ago

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BYLER GATES: A GUIDE

(Explaining all the different theories, for anyone who is also lost with how many there are)

THE BIG 4

Flickergate: This theory involves a lot of time shenanigans and is connected to the Will having powers in s5 one (possibly manipulation of time or electricity). Theory claims Will and Mike will kiss in the UD, specifically outside Mike's garage, paralleling 1x01. Will is going to tell the truth at the same time his s1 self is ("it was a seven"), causing the garage light to flicker on Nov. 6th 1983.

Birthdaygate: This theory suggests that the Duffers didn't actually forget Will's birthday is March 22nd (the day of the rink-o-mania incident). It claims that Vecna is actually manipulating the characters' memories (possibly even Will's), making them forget his birthday in the process, maybe in an attempt to make him feel excluded/lonely and making him vulnerable. (Similar to the beginning of Harry Potter and the chamber of secrets, which happened to be on the inspo board for S4)

But also the Creel murders themselves happened on March 22nd.

Churchgate: More UD kiss related theories! This one claims Will is going to get Vecna'd or possessed in the Upside Down church (and that he's going to hurt/choke Mike in the process). With a crazy amount of religious symbolism, Mike would be the one breaking him out of his trance, through a kiss or a confession.

(More thorough explanation here.)

Lettergate: This gate's truthers believe that Mike did actually write to Will in the time period between s3 and s4, but never sent the letters. Said letters (signed "Love, Mike") are going to make an appearance in s5, revealing his true feelings. (Great post that has to do with this gate here)

Also related to:

OTHER GATES

Pocketgate: Very connected to Lettergate™️, this theory has to do with Mike's infamous triangle shaped pocket in S4. It suggests that the letter signed Love, Mike is hidden in said pocket throughout s4, since it very closely resembles an envelope. Triangles have also been used in ST as a queer symbol (with Robin) and Mike's pocket consistently points to Will like an arrow.

Phonegate: Kinda similar to the previous two, this gate claims Mike did actually call the Byers in Lenora. For some reason, the calls didn't go through, either because of Joyce's telemarketer job OR because of Vecna manipulating things again (cough, birthdaygate, cough).

This is backed up by one of Dustin's lines, saying that the Byers' phone line is always busy and Mike won't stop complaining about it. We know he must have been calling WILL, since the whole reason he was communicating with El using letters is that they couldn't talk on the phone.

Loverslakegate: Related to Lovers' lake (obviously). The lake is shaped like a heart, tying into its name, but it was split in two after the gates opened, now resembling a broken one (and Mike is ofc referred to as "the heart" so it could be a reference to him).

According to this theory, Mike and Will are going to kiss/become lovers near said lake/Reefer Rick's house.

Heartgate: To put it simply: Heart reflections EVERYWHERE. This one is better explained through pictures:

Also: Different heartgate but really interesting

Colorgate: I don't think I have to explain this one tbh but anyway

Blue meets yellow in the west.

Mike and Will have been HEAVILY associated with blue and yellow respectively since the beginning of the show (even wearing eachother's colours in both of their arguments). There's an insane amount of evidence that backs this one up.

It's speculated that the Russian code in s3 was foreshadowing for s4 ("The silver cat feeds when Blue meets Yellow in the west") Silver cat: Vecna who started killing when Mike (Blue) met Will (Yellow) in the west (California, literally west of Indiana)

Curtaingate: "They don't spent their lives trying to get a look at what's behind the curtain [...] They like the curtain. It provides them comfort, stability, definition" -Murray 2x05

Mike and El are pretty consistently framed in front of CLOSED (and more often than not, yellow) curtains, or ones that have closed blinds. According to this theory, closed curtains represent not being honest with one's true feeling. So, the truth about Mike's feelings is beyond the curtain and in s5 he will open it (and come out)

Motelgate: This one has to do with the dreaded two day time skip at the end of S4. Theory claims the Cali crew stayed at a motel during that time skip and the scenes were cut for time, but we'll flash back to them in s5. It's based on a photo a production assistant posted from the New Mexico filming, as well as some bts pics of the Cali Crew playing board games in a motel.

Shoegate: In S4, we see a pair of Will's shoes in his bedroom. In s5, Mike seems to be wearing that exact pair. This, in addition to the fact that they wear the same shoe size (a 10 according to their rollerskates from 4x02), lead people to theorize they will share clothes/shoes in s5. More importantly though, this theory suggests Mike is figuratively being put into Will's shoes (maybe pining?). Also, both of them wear the same shoes they wore in s2. Interestingly enough though, even though the design is the same, the colors are reversed (so their roles will be reversed too).

Possessiongate: This one runs DEEP so I'm going to link a bunch of posts

To put it VERY simply: this theory claims Vecna somehow attached himself to Mike (maybe when the vine grabbed him by the leg in the S2 tunnels- right before he started acting weird in s3 and s4) and he has been influenced/possessed for some time now.

He's not the dungeon master anymore, he's not in control. Both in s3 and s4 someone ELSE is the DM when they play D&D (Will and Eddie respectively)

More here and here

Victimgate: Very closely related to the previous one, this one suggests that MIKE was originally supposed to be Vecna's 4th victim instead of Patrick. Since Max escaped the first time, SHE ended up being the last victim but the original plan was for it to be Patrick. However, Patrick's curse doesn't fit the theme of all of the previous ones. We only see one of his visions, he gets cursed for ONE DAY, as opposed to the other 3 that are cursed for almost a week and we also know very little about him, even though we gradually knew more about the previous victims. Chrissy (no relation to main characters) -> Fred (friends w/ Nancy) -> Max (main character who we've known since s2)

More thorough explanation here

Twelvegate: This one is not really Byler related but i wanted to include it anyway

Theory claims Will was one of the lab kids (specifically 012) and him and El are actual twins. There are mentions of Will and El looking similar since s1, and a lot of twin imagery.

This theory obviously ties in with the Will having powers one and some people believe he wasn't 012, but him and El have a deeper connection/may be actually related. It could theoretically explain Henry's connection to Will, as well as things like El seemingly recognizing him in s1.(Alternatively called rainbowshipgate, because of the rainbow ship drawing Joyce mentions in s2 and the rainbow room)

Eightfifteengate: Again, not explicitly Byler but it's quite crazy.

TL;DR: The time 8:15 seems to have great significance in the show and it's mentioned all the time, if not by the characters themselves, (Eg. "It's 8:15, you're late"- El s2) then by small details in the background. There's even a whole track named after it.

Will left the Wheelers' house at 8:15 and it's the EXACT timestamp of his disappearance in 1x01. It's also the time in which most of the UD related weirdness happens and so it's very likely the UD is stuck on 8:15. (Also you know, 15-8=7)

Radiationgate: Related to the previous one! Clocks in Chernobyl are stuck on 8:15 and Hiroshima has been described figuratively as being frozen in time. Henry has burns identical to Chernobyl victims and almost all of his + his victims' symptoms can be explained through radiation exposure. As this post explains, for radiation levels between 8.3-11 Gy (SI unit for absorbed radiation), symptoms start with headaches and disorientation, move on to unconsciousness and bleeding (the exact symptoms of his victims) and finally, death happens at around 7 days (which is about how long Vecna's curse lasts AND how long Will was in the UD for)

Whiterabbitgate: The song "White Rabbit" is the first song in the show and it plays when we first get a sense of El's powers. Theory suggests it will also be the last song in the show (coming full circle) with either Will using his powers, or Willel using their powers together.

In general though, ST has a lot of similarities/parallels to Alice in Wonderland. The white rabbit constantly being late (Mike is late to something at the start of every season), great significance to clocks/ticking/time, a lot of hallucinations/visions, the overall similarities between the Upside Down and Wonderland. Henry's sister was literally named Alice Creel and there is SO much rabbit imagery throughout the show. There are also direct references to AIW with set pieces and paintings.

Soundtrackgate: This one has to do with the Stranger Things OST and the overall insane musical symbolism throughout the show. A lot of different theories talk about the show's soundtrack, but this one talks about 3 tracks in particular: Being Different, The First Lie, The First I love You

To put it briefly: "The First I love You" plays in both Robin's coming out scene and El's kiss with Mike at the end of s3 (Already a weird parallel). The three tracks not only share the same melody, but they also sync up perfectly. "Being Different" (s4 van scene) and "The First Lie" (Nancy and Jonathan's kiss in s2) especially, match up together to create an entirely new track, completing eachother. The scenes featuring those three tracks also share very similar themes at their core. (This post goes into a lot of detail!)

Playlistgate: Character playlists! At a certain point, every character's official playlist on Spotify was deleted, except for three: Mike's, Will's and Billy's. Songs were seemingly being added/deleted for no reason to the Mike and Will ones and people were struggling to make sense of it all.

Also, Mike's character playlist in particular is VERY interesting (so many byler coded songs, as well as "Smalltown Boy" a gay anthem, about a young gay boy forced to leave his home town to escape from their disapproval and homophobia.) There are three playlists on Finn's spotify that are very incriminating. "Love songs" (That has "BOYS DON'T CRY" on it, a song that Will literally has a poster of in his room), "drive" and the most recent one "STurn". These playlists feature songs like "Let her go", "Angst in my pants", "Me and Michael", "Gay thoughts" just to name a few. Basically a lot of the songs on all four playlists seem very relevant to some complicated feelings about Mike's relationship with El/Will but also with himself and his sexuality.

Scriptgate: Oh boy. Here we go.

On August 5th 2022, the byler fandom got #bylerscript trending worldwide on Twitter while waiting for the 8flix account (run by Nick Runyeard) to release some supposed s4 scripts (that people PAID for, mind you). These scripts dropped on August 8th, featuring lines like: "I hate who I am" from Will in the van scene, "His mouth dry, like a California summer" from the bedroom apology scene and also, Will seemingly recognizing Brenner at NINA, despite never meeting him in canon.

These turned out to be fake and the community was in shambles. Nick started calling people psychos, the Stranger Writers tweeted that everyone got scammed, Nick privated his account and the authenticity of some released s2-s3 scripts was questioned. This post explains the entire situation in detail.

Breathgate: This one is also script related and specifically about a Mike/Max parallel.

In the official van scene script, when Mike sees Will's painting "his breath catches." Then, when Lucas asks Max to the Friday movie date, "(her) breath catches" as well. People caught on that parallel very fast and since the latter is obviously a romantic moment, it boosted their confidence for both Byler and Lumax endgame.

Piggybackgate: This one refers to two different situations/theories.

One, the seemingly deliberate framing of Mike and Will inside the little bubble in El's piggyback drawing (and it referening to Byler). The framing is especially suspicious, because the bubble drawing was drawn two separate times (it's different from one shot to the other). In the second shot, they're framed directly inside of it.

Two, Mike in his monologue essentially piggybacking off of Will's van confession. His monologue was going off of El's feelings, but since they weren't actually El's, the speech was based on Will's feelings. It also ties in with the parallel/foreshadowing between the monologue and Suzie's house, with Will being paralleled to the "director" kid, directing a "choking" Tabitha and their dad (more thorough explanation here).

Footballgate: On December 25 2024, the vast majority of the byler community spent their Christmas watching hours of NFL football, in the hopes we would maybe get a teaser or at the very least a release date for s5. This started from leakers saying we would most likely get something during the game.

We got nothing.

People were disappointed they wasted hours of their lives watching a sport they neither cared for or knew anything about, and the only thing we learned is that we would probably get something before the end of January 2025.

THE SILLIES

(aka the joke-theories/memes)

Miniongate: Mike and Will are secretly minions. (Because you know, minions are primarily blue and yellow)

This information will be revealed to us in s5 and they will have a magical girl-esque transformation where we see their true minion form. (Original post here)

Localvillagegate: Related to the leaked Mike and El rooftop scene.

Basically, a mlvn used AI to lip read the scene and try to figure out what Mike is saying (and then posted the video on Twitter).

According to them, Mike was telling El they were going to leave the local village (AKA Hawkins) together and travel to a beautiful faraway land with "like, three waterfalls or something" (and also that she has to "improve her motivation", whatever that means).

People thought it was hilarious and started making a ton of memes based on it.

Parrotgate: This is directly connected to localvillagegate™️ and it was created by @cloudycleric in one of his streams.

Basically, the parrots are gay and represent Will and Mike, who in s5 will kiss under the three waterfalls depicted on the image.

Backgroundguygate: People making headcanons and creating backstories for random extras. The star of this gate is Barrett, an extra from the Lenora high school, who wears a barrette, bright red pants and a shirt that says "Hell".

According to this gate, he's actually gay and in love with Will. He has a goth best friend named Claire who is a lesbian and in love with El.

Chancegate: The theme of shipping Will with random extras continues on strong

Chance is one of Jason's friends and part of the basketball team. People thought he was attractive and somewhere along the line started making headcanons for him and shipping him with Will (Bychance). Basically, they're gonna date and Mike will be jealous.

Mikhailgate: More shipping Will with randoms! (I'm beginning to see a pattern here)

Originally created by @paladin-n-cleric

Enzo in S4 mentions his son, Mikhail Antonov. Mikhail is the Russian name for Micheal.

People started making jokes that Mikhail would arrive to Hawkins from Russia in s5 and shipped him with Will (Willhail), since he's like Mike but Russian and cooler. They made fanart, edits and posted pictures of Finn as Boris in "The Goldfinch" claiming it's Mikhail.

@will80sbyers then begun to ship Mikhail with El and thus the ship "Jail" was born.

Baldmikegate: Did you know Mike is actually bald and is bullied for it? Well, now you do.

In 2022, a cult was born and the byler tag was filled with edited pictures of Bald!Mike. Terrifying honestly.

Some people made posts about how the rest of the party feels about Mike's secret baldness and some even wrote FANFICS.

Gridgate/whiteboardgate/pixelgate: The Stranger Writers posted a picture of a pixelated/blurred whiteboard that had the entirety of s5 mapped out. People were desperately trying to decode it and figure out what was written on it.

On the space for episode 7, there was a "big black hole" that people went crazy trying to make sense of, only for it to be revealed as a pen holder.

Babygirlgate: The babygirlification of Mike Wheeler. That's it. That's the gate.

I think pretty much every line Will has ever said to Mike has been posted with the word "babygirl" replacing his name (it's hilarious and I love it)

Some examples here and here

Mattduffersbasementgate: Finn and Joe made up a third Duffer brother named Pete, who has no hair for some reason and is the actual writer of Stranger Things, while Matt and Ross are just the faces of it. Pete lives in a shed/Matt's basement and that's where he writes all of the scripts.

Finn and Noah are both also being held in Matt's basement however, and they're not allowed to leave so that they don't spoil byler endgame.

I definitely missed some gates, but omg this took SO LONG

(this post is for you @felix-fathoms @bibylers)

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bubblegumgothglados · 3 months ago

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This is my RACK focused judgment free primer for heavy impact play. It covers every part of the body from head to toe and at no point does it say you can’t do something just the risks of doing so. I don't normally put warnings on my posts but most of my writing is fantasy, this isn't. I'm going to talk about any number of painful deaths and heaps more ways of becoming disabled.

In this primer "you" means the one doing the hitting, "victim" is the one being hit, and "tool" is the thing you're hitting with which could be a fist, foot, hammer, bat, anything. I'm writing it this way because its fun for me.

This primer also assumes you know the different types of impacts and how they affect the body, if you don't go look at my other writings.

Finally i take no responsibility for anything you do. All this information is what i could put together from medical journals and car crash reports if I've got anything wrong (and you can prove it) please let me know.

Enjoy

Head. With hits to the head, the two major concerns are concussions and neck injuries. A concussion occurs when a person’s brain impacts with the inside of their skull, this happens because the brain is suspended in fluid so if the skull stops or starts moving suddenly the brain will move out of sync with the skull. Symptoms of concussions can include headaches, confusion, lack of coordination, memory loss, nausea, vomiting, dizziness, ringing in the ears, sleepiness, and excessive fatigue. If your victim lost consciousness for any length of time and is having trouble speaking or understanding your words, you need to get them to the ER. There is no cure for a concussion but the best treatment is pain medication and activities that won’t tax the brain to give it time to recover. There are any number of ways to damage a neck, but generally it happens when a person’s neck is moved suddenly and violently or pushed past its limit. Minor injuries should heal by themselves within a few weeks but if unlucky pain and stiffness can last months or even years. For more major injuries, physical therapy or a neck brace might be necessary but only if the pain lasts longer than a few weeks. It’s also possible to hit someone hard enough to break their neck or fracture their skull but that takes a lot of force. All of these injuries can be avoided by supporting your victim’s head and neck by bracing their head against a surface or holding their head with your hand.

Jaw. It takes surprisingly little force to dislocate a jaw, you can do so with a good slap Dislocations are talked about in Note 3 at the bottom of this primer. Heavy bleeding from gums or a tooth that feels loose could indicate a fractured root. This is a fairly minor issue and if you see a dentist quickly they should be able to fix it back in place with no lasting damage. A tooth that has been knocked out completely should survive; get your victim to rinse their mouth out and rinse the tooth off and shove it back into the gap, and then have them see a dentist to make sure it’s properly seated and avoid chewing with it for a while.

Eyes. A fun combination of fragile and complicated. There's no first aid tips I can give you and it'll be real obvious if something is wrong. I will say you don't have to hit someones eye to give them a black eye, it’s bruising around the eye socket that matters. Also check Note 1 about the use of ice when treating injuries.

Nose. It’s more difficult than you think to break a nose. You definitely can with a good punch but you'll have to really commit. A broken nose isn't that serious (I've broken mine twice now) and isn't even ER worthy. If your victim is leaning backwards after breaking their nose the blood will run down the back of their throat potentially making them vomit or very sick. There is a chance a broken nose will heal in a way that restricts breathing in which case your victim may need surgery.

Cheek bone. Below the temple but above the gum line, running from just bellow their ear to their nose. Special mention to this spot because it’s the best place to hit your victim in the head (in my opinion). This piece of bone is very sturdy and not that risky to fracture. Plus, when you hit them here they have to watch it coming.

Neck. The windpipe, jugular, cranial nerves, vagus nerve, carotid arteries, and spine all live here and damage to any of these can cause permanent disability or death. Seek medical attention if your victim has trouble breathing or swallowing, or a lot of pain or swelling. Stingy tools are far less risky here than thuddy tools.

Shoulders. Note 2 on joints. The shoulder blades can either be an ideal impact location or one of the most risky depending on how it’s sitting. If the shoulder blade is jutting out away from the rest of the back, it’s very easy to damage If it’s laying flat against the back, it’s protected by a thick layer of fat and muscle.

Biceps. Top 4 impact location. The main concern is damaging the elbow and shoulder joints, if hitting in a way that will pull on those joints. Much like with the head, bracing the impact area against a surface will minimize the risk. Repeated hits to this area can temporarily disable the arm, which is fun.

Forearm. As above, the main risk is damaging the adjoining joints. There are also several important blood vessels and nerves running through this area and not a lot of fat an muscle to protect them.

Hands. Very little fat or muscle, mostly tendons, nerves, and cartilage. See Note 2 on joints. Special note to the palm, which hurts like hell but is relatively safe because of the extra muscle and fat in that area, great for punishment. Once again, stingy tools are much less risky than thuddy tools.

Breasts/ biceps. Top 4 impact locations. Thick layers of fat, muscle, and bone protect anything vital.

Sternum. That is the bone running down the center of a person’s chest that connects to their ribs. Not in itself very fragile but the cartilage that connects it to the ribs is easily damaged and will take a long time to heal. A fractured sternum will likely cause shortness of breath and pain when taking deep breaths. There's not much to be done about these injuries just rest and avoiding strenuous activity.

Spine. The single most risky impact location. Any damage to the spine risks permanent paralysis of everything below that point. As ever, stingy tools present less risk than thuddy tools.

Rib cage. Designed to protect a person’s most vital organs, the rib cage is very strong. Fractured ribs will cause pain breathing but aren't particularly serious. Snapped ribs can pierce organs If this happens, it'll be immediately obvious and medical intervention is required to prevent painful death. Special note to the 'floating' ribs at the bottom of a persons rib cage which don't connect to the sternum and are therefore much less resilient. Second special note to the spot right above a persons heart. A significantly hard impact at exactly the wrong moment in their cardiac cycle can stop their heart. They will loose consciousness and you will need to give them CPR until they can be defibrillated. This is ridiculously unlikely but better to mention just in case.

Abdomen. If you feel around your victim’s belly, you can figure out the line where their abdominal muscles sit. If you have them tense these muscles, you can hit them fairly hard with relatively little risk because the muscles plus the fat in that area create a thick layer of protection. (Pro tip: "Stay tense or this will might kill you" is not only true but hot and terrifying). Outside of that area or if they don't tense, there's real risk of bruising or even rupturing their intestines, which carries a 50-70% survival rate depending on how quickly you can get them to the ER. Symptoms to look out for are bloating, diarrhea, loss of appetite, and fatigue. Special note to the kidneys, which sit next to the backbone just below the rib cage and are very easily bruised. The primary symptom to look for is blood when peeing. As always, stingy tools carry less risk than thuddy tools.

Gluteus maximus. That's their butt. Hit it as hard as your victim will let you. Enough has been said about this region; I don't feel the need to recover that ground. Note 4 on bruises.

Genitals. I'm not going to get into CBT, that's a separate kink. But the vagina is very durable as it’s pretty much just flesh and fat on the outside Minimal risk, go to town.

Thigh. Top 4 impact location. Outer thigh will hurt more and bruise more. As with the head and arms, the primary risk is damaging the adjoining joints. Note 4 on bruises because this is the primary place for DVT.

Calf. As above. Shins are also a great location for punishment because they hurt like hell.

Feet. Very similar to hands. The soles of a person’s foot are intended to impact with the ground frequently and with some force, so they can take a fair bit of punishment.

Note 1. Ice. It is no longer suggested injury procedure to use ice to reduce swelling. Yes, it is effective at reducing swelling but we now understand swelling is an important part of the healing process and although ice might make it feel and look better in the short term, it actually increases the amount of time the injury will take to heal. You want the blood to be able to flow to the injury to take away dead cells and bring nutrients and energy.

Note 2. Joints. Neck, spine, shoulders, elbows, wrists, fingers, hips, knees, ankles, and toes. The reason these are almost always labeled "red" or "no go" on impact play body maps is because these are choke points for blood vessels and nerves; they are made of fragile tendons and cartilage, and they have very little padding for protection. They're also important for movement day to day and very difficult to heal properly. If a joint is damaged, you can buy braces for every joint from most pharmacies.

Note 3. Dislocations. If you're lucky, a partial dislocation will relocate by itself if you move the joint around as you normally would, not forcing it or trying to manipulate it with your hand, just moving it with its own muscles. If it does naturally relocate but you still have pain a few weeks later seek a medical professional. If you're unlucky or if it’s a total dislocation, you will have to see a medical professional. DO NOT TRY TO FORCE IT BACK INTO PLACE!

Note 4. Bruises. Normally, bruises are nothing to worry about but there are situations where a deep bruise can be a health concern. If the bruise continues to get worse after a week, there could be a hematoma under the skin, which is like a blood clot, and might need to be removed. The other possible complication is Deep Vein Thrombosis, which is a blood clot and can be lethal, if not treated quickly. With DVT, the symptoms are tenderness, warmth, and a "pulling sensation" which are pretty normal impact play symptoms. But if you're doing impact play at the level that could cause DVT, then you and your victim should know their healing process intimately, so if something feels off or isn't healing right, get them to a medical professional; better safe than dead.

#lessons in kink

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melanated-writersblock · 2 months ago

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⋆˙⟡♡₊˚⊹.Lunch Rush.⊹˚₊♡⟡˙⋆

[CEO!Husband!Yunho x BlackFem!Exec!Reader]

‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾. Where you and Yunho wanted to start trying for a baby, and with a long lunch break in your schedules, you decide to pay him a visit to try your hand at conception.

content: car sex, semi-public sex, thigh riding, cloth-ripping, piv, unprotected sex (wrap it up irl pls), just a dollop of spit, cowgirl, doggy, full fledged backshots, like 2 creampies?

word count: 3.4k

a/n: This fic cost me 5 FUCKING DOLLARS TO MAKE?!?!?! I had to pay to use a fake text generator, so if any of you have a site or app that I can make fake text messages FOR FREE then PLEASE let me know😭. This was self indulgent but I wanna dedicate this fic to all my fellow Hotteoks🫶🏾 And the bitches that fantasize about getting nutted in and getting it poppin’ in the back of the parking lot (in theory of course)! WwaBRiM (if you can’t tell from the fact the reader is rocking soft locs😛)

‧₊˚✩. ˚. ♡ ☁︎

To this day…you and Yunho’s BIGGEST regret in your relationship…is and ALWAYS WILL BE….agreeing to go to the christening of your friends’ 6-month old baby boy.

Everything was beautiful. The ceremony, the cathedral, the way the baby nestled into Yunho’s arms so naturally, and reached out to play with your bangles with such curiosity and wonder. It altered both of your brain chemistries, and you weren’t sure if it was for the better or not.

Your friends didn’t help either, saying things like “Parenthood would look so good on you two!” and “I can’t wait for your baby shower invitations.”.

How could they…….

After you pushed your meetings back to later in the week. After Yunho gave his team a free day when they could’ve been in the office perfecting the play-through on his new game before its release. Two very busy people with very busy work schedules, and you carved out time to come support your friends and their son, and they pay you back with…….

BABY FEVER?!?!

You and Yunho planned your futures out to a T. Go to university, get your respective degrees, join a company that you interned with, work your way up, become the boss, get married, honeymoon in The Maldives and spend your paid vacation days in The Swiss Alps.

Starting a family was definitely in there somewhere, but everything fell in line so well that it got lost. You’re at the top of your games…Yunho, figuratively and literally, with his gaming company being the best in the country and all…and you became the creative director for a top cosmetic brand. It really was all good. But it was lacking. And you both felt it. Ever since that christening.

You felt it every time one of your work partners went on maternity and paternity leave. Every time there were children in the offices on ‘Bring Your Kids to Work Day’. Every time Yunho saw posts or videos of kids around the world dressing up as characters he helped create. Every time your homegirls would send you milestones of their babies taking their first walk, or biting into a lemon for the first time. You two worked hard and accomplished everything you wanted to, everything except starting a family. It resonated for days after that christening.

For Weeks.

Months, even.

The energy around the house shifted. Yunho would steal glances at you as you did the simplest of routines, imagining your belly being round as you sip your favorite tea in the kitchen, waddling from room to room barefoot and pregnant. And you’d watch attentively as he’d play his video games, envisioning a child full of joy as he teaches them how to defeat their first villain. After a while it got to a point where neither of you would hide it. It became all too real, too wanted. And why not? What was stopping you two?

Everything was green lit once you and Yunho put it into the atmosphere and finally discussed it. You both were just about ready to start baby proofing the house and nothing even happened yet, becoming more proactive than you already were. Tracking apps were monitored, routines were tweaked, and everything seemed to be doable…but your work schedules…your jobs were the biggest obstacle. Just when could you slip away for a bit to see each other? When would be the right time to make a ba-

“Hey, I’m picking up my kid so we can go to lunch. I’ll be back in 2 hours!”

Your Editor in Chief pops their head in your office briefly before heading down the hall to the elevator, snapping you out of your rambling thoughts.

…………..Lunch Break.

‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾. ‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾. ‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾.

You reverse your sedan into the space next to him before hoping out and swishing towards the driver’s door, knocking softy. Your ears perk up at the sound of r&b playing and a silent laugh escapes you. The dark windows of the door lower, revealing Yunho in the driver’s seat, fully reclined with the top buttons of his shirt undone and the silver crucifix you adorned him with for your anniversary gleaming.

“For a second I thought you were backing out on me.” He smiles at you, his voice deeper than usual, evidence of a brief stolen nap. “Traffic was hell, I would’ve been here in half the time otherwise.” The door unlocks and you climb in, grazing over Yunho’s body as he adjusts the driver’s seat sitting up slightly, he grabs ahold of you to help you straddle him and closes the door back behind you. And like clockwork, you lean in, beginning your onslaught of abuse on his lips.

Snaking your hands into Yunho’s hair, he moans, deepening the kiss, his tongue dancing ever so eloquently with yours. “I missed you.” He says breathlessly between kisses, “You saw me this morning before I left boo!” You tease him, fixing his glasses back up the bridge of his nose that slid down in the midst of your passion, “That’s too long.” He pokes his lips out, and you console him with light pecks to ease his playful angst. “You’re so needy, you know that right?” “And you love me for it.”

Yunho starts to undo his shirt more, a sinister smile on the corner of his lips as he looks you over. “Come here,” You lean into him, your hand placed against his bare chest, the rock on your wedding band a flashy contrast to his skin. “Lift up for me baby.” You lift off of Yunho for a second as he helps you readjust yourself, now straddling one of his thighs. The pinstriped black skirt you wore for work today riding up your thighs. You let out a huff, immediately feeling the pressure of Yunho’s toned thigh on your bundle of nerves. Your black tights and panties not serving as any sort of buffer to the sensations. Your pussy lips spread apart feeling the course texture of his slacks. You let out a staggering sigh, reality finally setting in what you were about to do. “That’s right, you’re gonna ride me and come all over my thigh, and thennn~” Yunho begins to rock your hips back and forth on his thigh. You lurch forward, your right hand immediately planting on the interior wall of the Rover, “Damn, feels good right?” “Yeah, yes it does. Fuck.”

You place your other hand on his shoulder, stealing support as you rock onto him quicker, a few front strands of your freshly done soft locs coming undone from the high pony you put them in this morning, to his delight. Yunho enjoyed the sight of you working yourself on him, he loved how neat you looked before you climbed in the suv with him, and is obsessed with the thought of how disheveled and fucked out you’re gonna look when he’s done and you climb back out. Fuck, it’s all he’s thought about since you mentioned it in the texts. He couldn’t wait to get his hands on you, to touch you, to feel you, to fuck you, to ruin you, to caress you, to make love to you, to put a baby in you……finally.

You watch Yunho as he closes his eyes, deep in thought, mindlessly guiding your hips against him, as if he’s immediately feeling all of the pleasure that you are in that moment. You begin to rock against him quicker, an impending climax moments away. Yunho opens his eyes, watching you as your moans get louder, less polite, more shameless. You lean your head forward trying to compose yourself as much as you possibly can in this situation, and he smiles at the sight. “I’m close………..fuck, I’m close.” Your hand now caresses his face as you lean your head on his shoulder, hunching him like a bitch in heat. “You’re close?” “Yeahhhh~” “Fuck, you’re gonna come all over my thigh like that?” “Yeah!” “Yeahhh, just like that?” “Yes! Yes! Just like that!” Yunho bounces his leg softly as you continue to rake against it, riding out your high as a warm dampness spreads on his designer slacks. He moans at the feeling, damn near coming untouched just from witnessing your pleaser unfold before him.

You steady your panting for air. Embarrassed, you pat at the wet spot you left on your husband, “I did not expect that I-“ “I did, you’re ovulating.” Yunho caresses your cheeks fully heated with shame, and kisses you, laughing into the kiss. “I don’t think you understand how hot that was, don’t apologize my love.” He gestures to the passenger seat, helping you off of him and guiding you there to sit tight and catch yourself for a second. He then leans the drivers seat back fully again, stepping over it to sit in the spacious middle seat. He unbuttons his shirt the rest of the way before removing his glasses, tossing them somewhere far in the back seats. He holds one of his hands out to you, patting his thigh sharply with his other, ordering your immediate presence.

You crawl over the front armrest and take Yunho’s hand as he helps you towards him. You start to kneel down in front of him and he stops you, “Nooo no, no, none of that today.” “But I really want to.” “I knowww, and you do it so well, but we’re kind of on a fixed schedule.” Yunho gestures behind you to the time on the soft glowing screen on the dashboard. You sigh in agreement, “I wanted to get you ready too.” “Oh babe,” He begins to undue his belt buckle and pants, his fully hard cock slapping against his lower abdomen as he slides his pants down lower freeing him. “Does it look like I need to get ready?” Your mouth waters, his cock glistening as precum trails down the tip, and you moan at the sight. “Oh my God.” He laughs at your eager demeanor, “Come here baby,” he pats his thighs again signaling you to straddle him once more, your legs on either side of him cushioned by the materials used to adorn the luxury car seats.

Yunho hikes your skirt up higher, sliding his hands underneath to trail down your sheer-tights-clad inner thighs and up to your panties. Your breaths were short, shallow, hesitant. You closed your eyes as Yunho felt you up, getting you worked up again in the process, unbeknownst to himself, or was this all part of his plan? “These weren’t too pricey, right?” He pinches at your tights, “No they weren’t, why?”

****rrrr-rrrrrr-rrrrrrriiiiippp!****

You gasp as you feel the force from Yunho ripping your tights right down the middle, smacking his shoulder. “They weren’t pricey but they were my favorite!” “Shhh, I’ll buy you 10 more.” You lean your head on his shoulder, pouting…until you feel his slender hands move your panties to the side. Your breath begins to get shallow again, feeling his warm tip slide up and down your wet folds. You moan involuntarily, “Awww, come on baby I haven’t even put it in yet.” “I knowww, I don’t know what’s wrong with me today.” “I do,” You feel him slowly push into you, leaning your head back as you cry out. “This cunt was just waaaiting to get fucked, because today is a little different than the other days,” He picks up his pace, fucking up into you steady but firm, “Today your pussy is a little bit more needy for me,” the recoil of your ass sending vibrations through your lower body as Yunho’s movements are relentless. “Today you’re gonna let me get you pregnant.”

And there it was. Your brain immediately shuts off. “I’m gonna fuck you so good, and so hard-” “Unnnnhhhhhooohhhh my Godddddd!” “Yeahhhhh, yeah let me hear you baby,” You grip the disheveled collar of Yunho’s shirt, completely at his mercy, taking what he gives you. “I’m gonna cum all in this pretty fucking cunt and get you pregnant, I’m gonna make you a Mommy.” “Yunho Please! Pleaseee~” “Please what my love?” Yunho lifts your chin up to meet his gaze, your dark brown eyes staring several miles into his own, communicating beyond a frequency that sound couldn’t even capture in that moment, and he understood every bit of it…but figured it would be fulfilling just to hear it fall from your lips, “Pleaseeee? What.” “Please make me a Mommy~” In seconds, he snakes an arm around your waist, pulling you flush against his chest as he drills into you. “Ahhhhhh!!!!” The sound of your screams, bounce off the interior of the car, and you pray that the seats absorb it all.

“Yesss, yes! Let me hear you Mama. Fuckkkk let me hear you!” “Fuckkkk!” “Uh huhhh~ Fuck! You sound so good taking my dick like this! Ughhhh~” You both were a mess, fully enraptured in pleasure and no longer prisoners to time. You place your forehead against Yunho’s now eye to eye as he continues to lean into you with force, your breathing syncing with his, both chasing your highs. “You’re gonna cum, aren’t you.” He asks you with dark eyes, almost as if it wasn’t a request. Suddenly you’re whimpering against his lips, “Yeah you are gonna cum, you’re close, so close for me.” “I’m-“ “I’m gonna-“ He mocks, imitating your whines, “You’re gonna what, cream around me and take this cum like a good little wife?” All you could do was gasp at his sharp remarks, “You’re gonna cum for me like a good little wife? Hm?” “Yeah!” “Yeah? You’re gonna take my fucking cum like a good fucking wife?” “Yes! Yes! Ye- Yes! Yes! Yes!” You gush around him, repeating your words like a mantra against his ear. He returns the favor, “Good Girl” replaying in his surprisingly vulgar vocabulary as he finishes inside of you. You collapse against him for some time. Aligning your heaving chest with his as you both come down. Clammy from the altercation. You swivel around some assuming it may help with the progress, and he moans a little.

“What are you doing?” Yunho laughs at you endearingly, watching you be an unintentional menace. “I don’t know I just thought it might do something.” You giggle some, lifting off of his softening length with your combined messes drooling out of you and down your inner thighs. Yunho takes it all in, shaking his head in amazement at the fucked out state of you. Just as he imagined it, better than he imagined, even. Staring him down, you study his body language, how he looks subtly exhausted but not TOO drained. Almost as if on a bodily timer, your temperature starts to rise again, “You’re plotting.” you narrow your eyes at him. Sucking in a sharp breath between teeth, Yunho helps you up, only to place you over the front armrest.

You squirm as your stomach and breasts make contact with the cold leather. “See I KNEW you were plotting!” “Oh hush, don’t act like you’re not excited.” Yunho makes light work of your tights, pulling off and discarding what was left of it, and sliding your panties off of one of your legs in order to spread them further apart. Your breathing catches at the gust of air that hits your pussy. Yunho’s cock inches away as he works his hand over it. He reaches his hand around holding it out to your mouth, “Spit.”, and you oblige him. He continues to work himself hard again, one hand bunching your business skirt up your waist, exposing your bare ass. His hand slides down to caress it, before landing a harsh smack, resorting back to soothing over the stinging spot. All marks undetectable on your brown skin, he lands a few more smacks on both cheeks, knowing he’ll be safe. You jolt and whine at the barrage of sharp pain and he leans down to pepper the side of your face in kisses, rubbing your attacked spots to soothe the pain.

“Don’t forget to breathe my love.” You didn’t realize you weren’t until he mentioned it, immediately offloading a heavy breath. Yunho clicks his tongue as he braces one hand on your shoulder to hold you in place, fiddling with the bunched up hem of your skirt. Your body stiffens as you feel him use his fingers to collect your cum and push it back into your pussy. You shudder in pleasure, still recovering from your last high, not too far from another if touched too much. You feel him shift behind you again as his cock teases its way past your entrance one more time. “Mmm, You wore this skirt on purpose Mama?” He glides into you with ease, bottoming out effortlessly, and you sink into the armrest, your moan resembling that of a pornstar’s. “You knew you were gonna see me to get this pretty pussy filled, Hmm?” Yunho immediately picks up the pace, keeping his hand firm on your shoulder, guiding you back onto him. “Ooooohhhhh~” “Yeahhhh? You wore this skirt because you knew you were gonna get knocked up with my babies? Huh?” Yunho’s words started to slur as they turned into shameless moans, “Yeahhh~ keep moaning for me, it’s just us here, keep going, I wanna hear youuu~” even he started sounding pornstar-like, it was music to your already ringing ears.

He began to pound into you with fervor, your tits now hanging over the armrest, bouncing violently as you grip the seating of the driver’s and passengers seat to avoid going headfirst into the dashboard. “Oh fuckkkk I’m gonna cum again, shit- shit- shittttt~” Yunho plants a foot on the flooring of the suv to steady himself as he leans flush against your back, engulfing you. “Yes, yes, yessss~ come inside of me pleaseeee~” Your final plea sends him over the edge, ultimately setting off a chain reaction that makes you cum around him all over again.

You shudder with each thrust as he slows his pace gradually before coming to a complete stop, staying in the same position as he bear hugs you from behind over the dashboard. You laugh to yourselves as you match your breathing once more, an exercise you both had been doing since the start of everything. Thank God workers at Yunho’s job actually took advantage of leaving the facility for lunch, or else your windows definitely would’ve been knocked on. Sure, the 5% tint helps, but you’re sure the car rocking would’ve given enough away.

Yunho peels himself off of you and helps you up, sitting you down next to him in the middle seats. You lay your head on his shoulders as the both of you dwell in the backseat, visibly fucked out. Yunho’s shirt hangs open and off one shoulder with a button or two missing, crucifix chain crooked yet still sitting proudly on his chest, even after such a sinful act. Your soft locs were fully down by now, splayed and running down the side of Yunho’s torso. Your skirt and his pants still undone, neither of you bothering to bother with your surroundings just yet. Yet your blouse was surprisingly still somewhat presentable. You both sit in solitude and enjoyment of each other for a little while longer. Yunho looks down at you lovingly, watching as you pull your phone out to do something. “Are you doing what I think you’re doing?” “Letting the Editor in Chief know that I’ll be out of the office for the rest of the day? Noo, I couldn’t possibly…” “Oh well that’s a shame…” You look at your husband, waiting, “Because I told the team to take the rest of the day off.” THAT’S why the deck looked so lifeless. “I can’t believe you set me up!” He peppers your face in kisses one last time.

“Alright, let’s get out of here, we definitely need to change. We’re celebrating tonight.” “Tonight? Forrrrr?” “For theeee…..you know…..” Yunho gestures towards himself then your stomach, and you grin knowingly. “The lunch rush?” “Exactlyyy, the lunch rush.” He says before pulling you in for one last kiss. Yunho helps fix up your appearance before assisting you out of the Range Rover and back into your car. Kissing you for the last time yet again. “I’ll be right behind you.” He starts back to his vehicle, looking over to you, “Oh, feel free to put me in your schedule whenever you have an hour or two for lunch. Just to make sure it takes.” Yunho winks at you, getting back in the car as you both leave work for the day.

‧₊˚✩. ˚. ♡ ☁︎ If you liked what you read, please let me know, it gives me hope. Comments and Reblogs are always appreciated ‧₊˚✩. ˚. ♡ ☁︎

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mostlysignssomeportents · 7 months ago

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Against Lore

For the rest of May, my bestselling solarpunk utopian novel THE LOST CAUSE (2023) is available as a $2.99, DRM-free ebook!

One of my favorite nuggets of writing advice comes from James D Macdonald. Jim, a Navy vet with an encylopedic knowledge of gun lore, explained to a group of non-gun people how to write guns without getting derided by other gun people: "just add the word 'modified.'"

As in, "Her modified AR-15 kicked against her shoulder as she squeezed the trigger, but she held it steady on the car door, watching it disintegrate in a spatter of bullet-holes."

Jim's big idea was that gun people couldn't help but chew away at the verisimilitude of your fictional guns, their brains would automatically latch onto them and try to find the errors. But the word "modified" hijacked that impulse and turned it to the writer's advantage: a gun person's imagination gnaws at that word "modified," spinning up the cleverest possible explanation for how the gun in question could behave as depicted.

In other words, the gun person's impulse to one-up the writer by demonstrating their superior knowledge becomes an impulse to impart that superior knowledge to the writer. "Modified" puts the expert and the bullshitter on the same team, and conscripts the expert into fleshing out the bullshitter's lies.

Yes, writing is lying. Storytelling is genuinely weird. A storyteller who has successfully captured the audience has done so by convincing their hindbrains to care about the tribulations of imaginary people. These are people whose suffering, by definition, do not matter. Imaginary things didn't happen, so they can't matter. The deaths of Romeo and Juliet were less tragic than the death of the yogurt you had for breakfast. That yogurt was alive and now it's dead, whereas R&J never lived, never died, and don't matter:

https://locusmag.com/2014/11/cory-doctorow-stories-are-a-fuggly-hack/

Hijacking a stranger's empathic response is intrinsically adversarial. While storytelling is a benign activity, its underlying mechanic is extremely dangerous. Getting us to care about things that don't matter is how novels and movies work, but it's also how cults and cons work.

Cult leaders and con-artists know that they're engaged in mind-to-mind combat, and they make liberal use of Jim's hack of leaving blank spots for the mark to fill in. Think of Qanon drops: the mystical nonsense was just close enough to sensical that a vulnerable audience was compelled to try and untangle them, and ended up imparting more meaning to them than the hustler who posted them ever could have dreamt up.

Same with cons – there's a great scene in the Leverage: Redemption heist show where an experienced con-artist explains to a novice that the most convincing hustle is the one where you wait for the mark to tell you what they think you're doing, then run with it (scambaiters and other skeptics will recognize this as a relative of the "cold reading," where a "psychic" uses your own confirmations to flesh out their predictions).

As Douglas Adams put it:

A towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.

Magicians know this one, too. The point of a sleight is to misdirect the audience's attention, and use that moment of misattention to trick them, vanishing, stashing or producing something. The mark's mind is caught in a pleasurable agony: something seemingly impossible just happened. The mind splits into two parts, one of which insists that the impossible just happened, the other insisting that the impossible can't happen.

You know you've done it right if the audience says, "Do that again!" And that's the one thing you must not do. So long as you don't repeat the trick, the audience's imagination will chew on it endlessly, coming up with incredibly clever things that you must have done (a clever conjurer will know several ways to produce the same effect and will "do it again" by reproducing the effect via different means, which exponentially increases the audience's automatic imputation of clever methods to the performer).

Not for nothing, Jim Macdonald advises his writing students to study Magic and Showmanship, a classic text for aspiring conjurers:

https://memex.craphound.com/2007/11/13/magic-and-showmanship-classic-book-about-conjuring-has-many-lessons-for-writers/

There's a version of this in comedy, too. The scholarship of humor is clear on this: comedy comes from surprise. The audience knows they're about to be surprised when the punchline lands, and their mind is furiously trying to defuse the comedian's bomb before it detonates, cycling through potential punchlines of their own. This ramps up the suspense and the tension, so when the comedian does drop the punchline, the tension is released in a whoosh of laughter.

Your mind wants the tension to be resolved ASAP, but the pleasure comes from having that desire thwarted. Comedy – like most performance – has an element of authoritarianism. You don't give the audience what it wants, you give it what it needs.

Same goes for TTRPGs: the game master's role is to deny the players the victories and treasure they want, until they can't take it anymore, and then deliver it. That's the definition of an epic game. It's one of the durable advantages of human GMs over video game back-ends: they can ramp up the epicness by "cheating" on the play, giving the players the chance to squeak out improbable victories at the last possible second:

https://wilwheaton.typepad.com/wwdnbackup/2009/03/behind-the-screen.html

This is so effective that even crude approximations of it can turn video-games into cult hits – like Left4Dead, whose "Director" back-end would notice when the players were about to get destroyed and then substantially ramped up the chances of finding an amazing weapon – the chance would still be low overall, but there would be enough moments when the player got exactly what they'd been praying for, at the last possible instant, that it would feel amazing:

https://left4dead.fandom.com/wiki/The_Director#Special_Infected

Critically, Left4Dead's Director didn't do this every time. As any showman knows, the key to a great performance is "Always leave 'em wanting more." The musician's successful finale depends on doing every encore the audience demands, except the last one, so the crowd leaves with one tantalyzing and imaginary song playing in their minds, a performance better than any the musicians themselves could have delivered. Like the gun person who comes up with a cooler mod than the writer ever could, like the magic show attendee who comes up with a more elaborate explanation for the sleight than the conjurer could ever pull off, like the comedy club attendee whose imagination anticipates a surprise that grows larger the longer the joke goes on, the successful performance is an adversarial act of cooperation where the audience willingly and unwillingly cooperates with the performer to deny them the thing that they think they need, and deliver the thing they actually need.

This is my biggest problem with the notion that someday LLMs will get good enough at storytelling to give us the tales we demand, without having to suffer through a storyteller's sadistic denial of the resolutions we crave. When I'm reading a mystery, I want to turn to the last page and find out whodunnit, but I know that doing so will ruin the story. Telling the storyteller how the story should go is like trying to tickle yourself.

Like being tickled, experiencing only fun if the tickler respects your boundaries – but, like being tickled, there's always a part where you're squirming away, but you don't want it to stop. An AI storyteller that gives you exactly what you want is like a dungeon master who declares that every sword-swing kills the monster, and every treasure chest is full of epic items and platinum pieces. Yes, that's what you want, but if you get it, what's the point?

Seen in this light, performance is a kind of sado-masochism, where the performer delights in denying something to the audience, who, in turn, delights in the denial. Don't give the audience what they want, give them what they need.

What your audience needs is their own imagination. Decades ago, I was a freelance copywriter producing sales materials for Alias/Wavefront, a then-leading CGI firm that was inventing all kinds of never-seen VFX that would blow people away. One of the engineers I worked with told me something I never forgot: "Your imagination has more polygons than anything you can create with our software." He was talking about why it was critical to have some of the action happen in the shadows.

All of this is why series tend to go downhill. The first volume in any series leaves so much to the imagination. The map of the world is barely fleshed out, the characters' biographies are full of blank spots, the mechanics of the artifacts and the politics of the land are all just detailed enough that your mind automatically ascribes a level of detail to them, without knowing what that detail is.

This is the moment at which everything seems very clever, because your mind is just churning with all the different bits of elaborate lore that will fill in those lacunae and make them all fit together.

SPOILER ALERT: I'm about to give some spoilers for Furiosa.

FURIOSA SPOILERS AHEAD!

Last night, we went to see Furiosa, the latest Mad Max movie, a prequel to 2015's Fury Road, which is one of the greatest movies ever made. Like most prequels, Furiosa functions as a lore-delivery vehicle, and as such, it's nowhere near as good as Fury Road.

Fury Road hints as so much worldbuilding. We learn about the three fortresses of the wasteland (the Citadel, the Bullet Farm, and Gastown) but we only see one (The Citadel). We learn that these three cities have a symbiotic relationship with one another, defined by a complex politics that is just barely stable. We meet Furiosa herself, and learn something of her biography – that she had been stolen from the Green Place, that she had suffered an arm amputation.

All of this is left for us to fill in, and for a decade, my hindbrain has been chewing on all of that, coming up with cool ways it could all fit together. I yearned to know the "real" explanation, but it was always unlikely that this real explanation would be as enjoyable as my own partial, ever-unfinished headcanon.

Furiosa is a great movie, but its worst parts are the canonical lore it settles. Partly, that's because some of that lore is just stupid. Why is the Bullet Farm an open-pit mine? I mean, it's visually amazing, but what does that have to do with making bullets? Sometimes, it's because the lore is banal – the solarpunk Green Place is a million times less cool than I had imagined it. Sometimes, it's because the lore is banal and stupid: the scenes where Furiosa's arm is crushed, then severed, then replaced, are both rushed and quasi-miraculous:

https://www.themarysue.com/how-does-furiosa-lose-her-arm/

But even if the lore had been good – not stupid, not banal – the best they could have hoped for was for the lore to be tidy. If it were surprising, it would seem contrived. A story whose loose ends have been tidily snipped away seems like it would be immensely satisfying, but it's not satisfying – it's just resolved. Like the band performing every encore you demand, until you no longer want to hear the band anymore – the feeling as you leave the hall isn't satisfaction, it's exhaustion.

So long as some key question remains unresolved, you're still wanting more. So long as the map has blank spots, your hindbrain will impute clever and exciting mysteries, tantalyzingly teetering on the edge of explicability, to the story.

Lore is always better as something to anticipate than it is to receive. The fans demand lore, but it should be doled out sparingly. Always leave 'em wanting more.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/27/cmon-do-it-again/#better_to_remain_silent_and_be_thought_a_fool_than_to_speak_and_remove_all_doubt

#pluralistic #writing #lore #series #science fiction #the elaborations of a bad liar #always leave em wanting more #james d mcdonald #guns #pilkunnussija #craft #Silmarillion #sf #Better to Remain Silent and Be Thought a Fool than to Speak and Remove All Doubt #magic tricks #conjuring #narrative #mad max #furiosa

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wileys-russo · 1 year ago

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put a ring on it II l.williamson x reader

lil LW6 fic based on this request put a ring on it II l.williamson x reader

"here she is!" you sung out as you launched yourself onto your friends back, alessia stumbling slightly but finding her footing with a laugh. "player of the match! player of the match!" you continued to cheer as alessia hoisted you up properly carrying you round on her back as you did your laps.

"the penalty was perfect less, see i told you they weren't cursed!" you grinned, pulling her into a tight hug as she placed you back down on your feet. "doesn't mean i'll be putting my hand up to take anymore!" the blonde shook her head, though neither of you were unable to keep the smile off her face with a 4-1 win over chelsea.

"i see now why the two of you are so perfect for each other." the taller girl laughed as you both clapped and waved to the fans, nodding toward your girlfriend who was getting a piggyback of her own off manu.

"leah's got an excuse though you're just lazy!" alessia teased, often having you demanding she piggyback you around on national duty and now you played for the same club team.

"you're one to talk! who carries all the bags when we go shopping?" you laughed shoving her, waving at a small group of girls who called out your name. "who buys the most and therefore has the most bags to carry!" the blonde countered bumping her shoulder into yours.

"thats definitely you babe, because its me who carries all the bag when we go shopping!" suddenly your girlfriend appeared, wedging her way in between the two of you with her arms slung over both yours and alessia's shoulders.

"i earn and spend my money the way i want, why all this hate!" you tutted with a playful roll of your eyes, the three of you falling into conversation as you continued on your lap round the emirates.

"heard you've got some competition for your girls hand leah!" kyra zoomed past with a cheeky grin, leah frowning in confusion but unable to ask for any further context as kyra sprinted off chased by vic.

"i didn't know your relationship was open williamson. can i have a crack?" katie was next, playfully kissing your cheek with a wink as now both you and leah looked on in confusion.

your relationship with leah could be described as private but not secret. for years now you'd posted pictures with and of one another, but paid no mind to the spamming of comments asking if you were together.

you lost no sleep to the rumours of what you two were and made no move to placate or deny them, rather just happily existing together and focusing your energy on your relationship rather than what people thought about it or assumed it to be.

however it was most certainly not open.

"what the hell is everyone on about?" leah huffed, annoyance replacing confusion as you squeezed her bicep to try and gain her attention seeing she was becoming upset. "um, i might have an idea." alessia chuckled beside you, clearly trying to cover up her amusement but failing miserably.

nudging the two of you she tried to subtly point something out in the crowd, and it didn't take very long for leah to follow along. "oh you are taking the piss mate." came the scoff and grumble as you tried to catch on, alessia rolling her eyes and moving your head so you finally spotted it.

"ohh." you sighed in realisation, your girlfriends mumblings beside you and closed off body language now making a lot more sense. "do they think thats going to work?" you laughed, which was cleary the wrong thing to say as leah scoffed again and stormed off before you could say another word.

"will you be saying i do then?" you grunted as the tables turned and kyra reappeared, jumping onto your back and wrapping her legs around your waist, vic and teyah not far behind her.

the teasing in question was all due to a large sign reading 'marry me y/n?' held up by a grinning girl who definitely looked too young for you whose eye contact you avoided as you turned away from the sign.

"someone will be sleeping with the dogs tonight!" vic roared with laughter as leah shot you a look over her shoulder and followed into the tunnel after beth.

"i didn't even do anything! this is all of your faults for pointing out that stupid sign and winding her up." you huffed and promptly dropped kyra, who swore after you as teyah helped her up and you hurried off toward where your girlfriend had dissapeared.

though before you could go after her there was a small group of fans calling your name and you diverted, spending a little while alongside laia and alessia signing and chatting things before finally breaking away and heading inside.

returning to the change rooms everyone seemed to be in good spirits and celebrations were in full swing. music was pumping and you couldn't help but laugh at some of your friends and team mates dance moves which were more than questionable.

"having fun wally?" you grinned at the poor swiss woman who was desperately trying to count heads for how many people to include in a dinner booking at one of the teams favorite pubs later tonight, with very little success.

"lee and i will be there." you laughed at her pleading eyes, kissing her cheek and searching the room for the blonde in question. "hey have you seen leah?" you asked beth who finally sat down to take her boots off and stopped singing (yelling) for five seconds at vivs pleading.

"maybe that way somewhere." beth jerked her thumb over her shoulder toward the rest of the team as you rolled your eyes. "yeah thanks beffy." you chuckled, quickly changing out of your socks and boots, a twenty minute warning given for the bus leaving you scrambled toward the showers just beating stina into the last free one.

knowing there was a line of inpatient girls waiting their turn who were only growing rowdier now someone had popped a bottle of champagne, you were fast with your shower and the way you changed into clean dry clothes in record time.

you'd think with the way the team was carrying on you'd all won the conti cup again though amusing as the celebrations were a frown was very much present on your face seeing leah was still nowhere to be seen.

you tried calling her as you grabbed your bag and filed out of the change rooms but huffed as it rang out and went to voicemail. "she's probably driving, she drove herself and laura right?" alessia tried to reassure you as your eyes roamed the carpark, leahs car nowhere in sight at all.

"yeah maybe." you mumbled, following the taller girl up and into the bus, loading your bags and settling into your seat. "ah ah no anti social behaviour we're celebrating!" you groaned as beth snatched your headphones from your hands, hanging them around her neck with a wink as jen ruffled your hair and steph smiled apologetically.

much as you did worry about leah a half hour later you couldn't help but laugh and try not to let your overthinking consume your mind too much as karaoke was in full swing and you'd almost arrived back to colney.

"macca please, give our ears a break!" alessia groaned playfully beside you, her head falling to your shoulder as the two of you plugged your ears and the older girl scoffed, making a point to saunter over closer and yell mr brightside even louder, vic belting it out from the other end of the bus.

you continued to check your phone, having still tried to call around to leah and sending her a few messages all of which had gone unanswered. "hey, get out of your head." alessia tapped at your forehead sensing the worried nervous energy pouring out of you.

"why would she be mad at you? you didn't make that sign, you didn't interact with the fan who made it, you didn't encourage anything." the girl rubbed your back comfortingly as she drew you in for a hug and the bus parked up, everyone hurrying off and agreeing to meet for dinner at seven sharp.

"text me yeah?" alessia encouraged as you nodded and sent her a grateful smile before slipping into your car and flicking through your playlists, needing the right sort of music to try and pull yourself from your thoughts as you drove home.

a small sense of relief flooded through you seeing leahs car was indeed in the driveway once you arrived, meaning at least she was home. quickly parking and shutting off your engine you grabbed your bag from the back and headed toward the front door.

though before you could even get a hand on the door it swung open taking you off guard, though the state of your girlfriend caught you even more so by surprise. "why are you-" you started, your girlfriend dressed up in a beige two piece suit with her hair done and light makeup apparent on her features.

"we're going out." leah announced, ushering you inside and grabbing your bag for you. "for dinner with the girls? i didn't think we were meeting until seven and we were just going to the local." you wandered in with a confused frown as leah shook her head.

"no, just you and i. i already called lia and let her know!" your girlfriend answered the question before you could even ask it. "but-" you started cut off by a shake of the blondes head.

"no more questions. our reservations at five and i already laid out something for you to wear. go change please darling!" leahs hands landed on your shoulders, turning and gently pushing you toward your shared bedroom. "you're being very weird williamson." you stated glancing at her over your shoulder as she waved you off and started to unpack your bag for you.

"come on babe it's nearly five!" leah groaned, still refusing to answer any of your questions as you finished doing your hair, nodding happily with the final product and grabbing your bag.

"hey thats not the bag i chose or the shoes!" leah huffed with a frown at your changes. "as sweet as it is that you wanted to dress me love, i get final say." you smiled pecking her lips and silencing any further protests.

"isn't it nearly five?" you reminded as she attempted to argue again, the blonde nodding and taking your hand, locking up after you and hurrying to open your door as you slid inside. "such a gentlewoman." you teased, the defender grinning and stealing a kiss before shutting your door and rushing around to her own side.

"will you tell me where we're going now?" you asked as leah pulled out of the driveway with a shake of her head, nodding for you to select some music. "you're an incredibly frustrating individual sometimes i leah catherine." you sighed but grabbed her phone none the less since it connected first.

"you still love me but." leah smirked teasingly, eyes focused on the road as she tapped her fingers on the steering wheel in time with the music. "lee. why did you run off today?" you questioned after a comfortable silence had fallen between you, unable to ignore the topic any longer.

"i didn't, just had to drop laura home." leah shrugged it off as you gave up trying to work out where you were going as she turned the opposite way that you expected her to.

"right. only after we saw that silly sign you seemed-" you continuned softly, cut off as leah turned up the current song and started to loudly sing along, wordlessly sending the message she didn't want to answer.

dropping it for now not wanting to spoil the blondes seemingly improved mood before a meal together you sang along with her as she drove. "oh we've not been here before." you perked up as leah finally turned in and parked, not recognizing where you were.

"some of the girls recommended it awhile back, i think dean took steph here for their anniversary if my memory serves correct?" leah commented, parking up and clicking her tongue at you as you went to open your door.

"you really are something else." you smiled as she appeared in front of you swinging the door open. "i will open doors any day for you my pretty lady." leah bowed as you smacked her shoulder and the defender stood up straight with a grin, grabbing your hand and placing a gentle kiss to your interlocked fingers.

the two of you fell into step as another comfortable silence fell between you, the sun starting to set bathing you in a warm golden glow, the dark clouds from earlier today now long gone.

"williamson." leah spoke with a smile to the hostess at the front who nodded, grabbing two menus and leading the two of you through the resteraunt. "its beautiful in here lee." you squeezed your girlfriends hand with an awestruck smile at the interior.

floor to roof there were old stone pillars, painted to look washed out as plants hung from the tops and vines spiraled around them, gold edged finishing on the dark mid century wooden furniture.

"wait till you see outside." leah murmered, kissing your cheek with a smile as the two of you were lead outside, your eyes lighting up seeing a small fire pit. "here?" you asked as the waitress gestured for the two of you to take a seat, the semi circle bench with an in built table a little sunk into the ground creating a cosy but private atmosphere.

there was a live band playing on a small stage and the soft chatter from your fellow diners just added to the cosy atmosphere as you thanked the hostess and sat down, leah making sure you were comfortable before taking a seat herself.

"like it?" leah raised an eyebrow but curiously and a little nervously, the two of you were creatures of habit and seldom tried new places, rather preferring the guaranteed satisfaction of what you knew wouldn't disappoint you.

"it's perfect leah. but why?" you laughed quietly, leaning in to kiss her properly and pulling away, neither of you overly large fans of pda given your shared 'famous' status and the risk of prying eyes or phone cameras.

"do i now need a reason to take my beautiful wonderful gorgeous girlfriend out for a nice meal?" leah smiled charmingly, resting her chin on her hand. "mm no but its much less suspicious when you do have one." you retorted, knocking your knee against hers as someone arrived to take your order.

not even having glanced at the menu yet you both smiled apologetically and ordered drinks, busying yourselves deciding what to eat and ordering food once your drinks arrived.

"so this lovely spontaneous meal would have nothing to do with that sign today then would it love?" you asked with a quirk of your eyebrow, sipping on your drink as leah rolled her eyes.

"no it would not!" "you do realise i've known you for years now williamson and you are a terrible liar."

"alright maybe the sign had me a little tiny teeny weeny bit jealous. but mostly i realised we'd not had a proper date night in far too long!" she grinned at the last part of her answer, hoping you'd skip over the first bit.

"jealous i might marry a wee stranger with a sign were we? thats a bit rom com cliche for me my love." you chuckled as your girlfriend playfully smacked your leg and finished her drink, setting the empty glass down as within seconds it was whisked away by someone.

"dunno i bet if i turned up outside your window with a big speaker and confessed my undying love for you you'd be swooning quite hard darling." leah smiled, eyes ablaze with nothing but sheer adoration for you.

"that would have certainly been much more romantic." you teased, leahs cheeks flushing pink at the memory. "stop! i was young and nervous and....sweaty." the defender cringed, having practically cornered you in the showers sweating bullets with nerves and practically yelling at you to go on a date with her.

"now babe how did it go again?" you pondered as leah groaned and hid her face in her hands. "go on a date with me tomorrow!" you mocked her accent and hummed. "no that wasn't it." you stroked your chin thoughtfully as your girlfriend groaned louder and smacked your knee, hiding her face in her hands.

"date tomorrow me please really like you!" you again mocked her accent and nervous stutter with a wolfish grin as the blonde was saved any further embarrassment as your food arrived.

the two of you grew up together on the football pitch in your teen years, both growing quite close through the arsenal academy leah made her senior team debut just a season before you and you couldn't be prouder.

though the distance between you now as you stayed training with the b team meant she realised she wanted to be more than friends and harboured quite unfriendly feelings.

feelings she made the mistake of confessing to her new teammates who'd at first teased her relentlessly and then came the ongoing pushing to tell you how she felt.

leah finally cracked once you signed your own contract and were finally training by her side again, the teasing growing worse for a very clearly flustered leah, a side you weren't used to having known her to be occasionally over confident.

you'd chalked it down to nerves for the talks of her impending senior national team call up, everyone else chalked it up to her being disgustingly head over heels for you and surprisingly too scared to let you know.

this meant six agonisingly slow months passed where leah continued to be given shit for the pining looks sent your way when you weren't looking, until one day something snapped and she decided no more would she hide the truth away.

it may have coincidentally also been the day she heard rumours of you allegedly being dragged along speed dating later that night with some of the other older girls 'for a laugh'.

so swallowing every single doubt which screamed at her this was a terrible idea leah had tried time and time again that day to speak with you, but something or someone seemed to pop up and get in the way every time.

which had been what lead to the abrupt and incredibly awkward shower room incident, though really as much as leah was horrifically mortified you'd found it endearingly cute.

given you still teased her for it this day and the two of you had been dating for years and years now as leah got older the regret of how she'd gone about asking you out had begun to melt away.

"ready to go baby girl?" leah asked as your plates were cleared, the two of you practically now sitting on top of one another as you relished in the welcome warmth both from the fire pit and one anothers bodies.

"did you want one more drink?" you turned your head to question, quite comfortable in your current position. "nah, one of us has to be sober enough to drive home." leah teased, ducking her head to press her lips to yours, pulling away far sooner than you'd have liked as she squeezed your hips indicating you stand up.

making your way hand in hand through the restaurant, now both well fed and a tiny bit tipsy in your case you both cared less about the displays of affection, having been papped together many times over the years anyway but just never directly addressing anything.

thanking the hostess leah was quick to grab the door for you, your cheeks flushing bright red as she lightly patted your bum as she walked out after you, causing you to shoot her a playful glare over your shoulder.

the blonde was even quicker to pull off her suit jacket, draping it over your bare shoulders and silencing your protests that now she would be cold with several kisses, mumbling about how she was warming herself up with them causing you to laugh against her lips.

many sweet kisses and cheesy compliments exchanged during the walk back to the car you shrugged off leahs arm and darted to her door, pulling it open for her for once as she raised an eyebrow in surprise.

"must be the jacket." you teased as she rolled her eyes but slid into the car, making a point to lean over the console to push open your own door for you anyway.

finally pulling into your driveway with a firm look from your girlfriend you waited patiently for her to make her own way to your door, gasping in mock surprise as she pulled it open and once again bowed.

"sap!" you teased shoving her as you grabbed her hand and stood, leah closing the door and locking her car up after you. "okay before we go inside." your girlfriend started halting you in your tracks by the front door, causing a suspicious frown to grow on your face.

"i need you to trust me please." the taller girl took your hands in hers with a gentle squeeze as you slowly nodded. "i do."

"okay good. now please put this on then, no questions." leah reached into the pocket of her trousers and pulled out a blindfold as you raised an eyebrow but begrudgingly did as she asked, flinching as her hands fell to your shoulders once you'd heard her unlock the front door.

"i got you." she chuckled, pressing a kiss to your shoulder and carefully guiding you inside, murmering when steps were coming or there was obstacles.

you heard the back door sliding open and felt your girlfriend carefully help you down the back steps as she asked you kick off your shoes and your feet sunk into the soft grass of the backyard.

eventually you felt yourself step onto something rougher causing your eyebrows to furrow curiously as leahs hands fell from your body and you heard some shuffling around but you knew there wasn't a point to you asking anything as she would just not answer.

"okay, you can take it off now love."

it took a few moments for your eyes to adjust once you'd pulled off the cloth blindfold but once they did your hand flew to your mouth and your body locked up, your reaction clearly amusing the blonde knelt down in front of you.

the roughness beneath you was a large aztec blanket, with two beanbags and cushions scattered all around as lanterns and fairy lights hung from the trees and on each corner of the blanket around you illuminating your backyard in a soft golden glow.

"leah..." you trailed off, shaking your head unable to find words as she sent you a soft smile and held up her hand to silence you.

"now you know why i was so pissed off with that stupid bloody sign today. i've had this planned out for weeks and of course the day i choose to do it, which i promise was long pre planned, some other randoms got a sign asking for your hand and making me look like some jealous numpty whose concocted a last minute proposal just to spite some teenage fangirl!" leah scoffed with a shake of her head making you let out a half laugh half sob as her features softened.

"you're such an idiot." you managed to get out making her grin and shuffle forward a little, reaching into her other trouser pocket as your heart rate accelerated even faster if that was humanely possible.

"jesus christ." you exhaled shakily as she pulled out a small velvet box and popped it open, the ring inside glinting back at you. "not my name love but i'll take it." leah grinned boyishly as you again let out a laugh, hand still covering your mouth in shock.

"my beautiful girl. i've loved you for as long as i've known you and though it took me a little bit to realise i think i might've been in love with you that entire time too." leah started as your knees felt like buckling.

"you are the most warm, caring, kind, attentive, empathetic, passionate and selfless person i've ever had the utter pleasure of having in my life let alone the absolute honor of calling my partner in life. you've always been the one whose better with words between us but i'm going to do my very best to remember all of-" as excitement shot through your body you couldn't help but interrupt.

"yes!" you cried out suddenly, taking leah off guard as she faltered mid speech and your face blushed bright red. "yes?" leah asked wide eyed as you nodded furiously. "yes, yes, yes, a million times yes." you laughed as another sob wracked your body.

the blonde was up and on her feet within seconds and hoisting you off the ground, spinning you around as tears of joy spilt over from her own eyes and you wasted no time smashing your lips to hers.

"i had a whole lovely long heartfelt speech planned out about how much i love and adore you dickhead. i've proposed to laura, lia and beth about three thousand times now for practice!" leah laughed against your lips as she carefully settled you back down on your feet and pressed her forehead to yours.

"save it for your vows?" you smiled guiltily, biting down on your bottom lip as leah let out a pelt of laughter, letting go of you to wipe away her tears before very gently wiping away your own with the pad of her thumb, tugging you into yet another kiss.

"wait! at least let me-" she pulled away and dropped down onto one knee again, carefully pulling out the ring and placing the box down by her side.

"may i please be your wife?" leah asked, eyes once more welling up with tears as you nodded and she grabbed your hand, sliding the ring onto your finger as you pulled her up to her feet.

"you know i also had this to get to, you really are so inpatient!" leah threw her head back with a laugh, stepping back and lifting one of the beanbags pulling out a bundle of red.

as she dropped it open you let out a laugh of your own, seeing it was an arsenal jersey with williamson on the back but with your own number, clearly an indicator of the future to come.

"mm mrs williamson has such a perfect ring to it my girl, i can't wait to be your wife." "i love you so so very much, fiance." "i bet that girl is gonna feel proper stupid now." "leah!" "what? she beat me to the punch but i got the final knockout." "you're forever and always the winner in my eyes baby."

#woso #woso fanfics #leah williamson #leah williamson x reader #woso x reader #woso imagine #woso blurbs #engwnt #woso community

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communistkenobi · 22 days ago

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a very common mistake people make in political/social discourse is applying individualist thinking to some social phenomenon or theory. one of the most common examples is someone responding to the theory of white privilege with “but there are poor white people” or male privilege with “I’m a man but I have no power” etc. and in order to refute that properly you have to essentially get into a philosophy of science debate, to explain that the benefit of a given social theory is its ability to be generalised above the level of the individual, that what is being described is a social process, that human beings occupy various positions within a social space (a family, a neighbourhood, a workplace, a state) that are not individual. To be able to give an account of some social force you necessarily cannot be just talking about the particularities of a single person - if you were, all you would be expressing is an individual opinion about a single person. If you want to rise above the level of ‘mere opinion’ you need to actually provide an account that is general enough to apply to multiple people of varying social situations but systematic enough to be able to differentiate between who you are and are not speaking about. Of course data are lost in this endeavour - probably best summed up by the aphorism “all models are wrong but some are useful” - but the success of a given social theory is its ability to sustain its explanatory power despite these data losses. Like the whole game of generalisation is building a theory to figure out what data points to discard and which to retain. It is no more contradictory to say white privilege is real even though there are poor white people than to say the police are a white supremacist institution even though there are non-white police officers. In fact these seeming contradictions are accounted for in these same social theories - white supremacy has had centuries of policy development at this point, it is a fairly well-tested set of logics that have adapted to a variety of conflicts, problems, and political/economic/social developments (Sylvia Wynter talks about this in the context of the post-slavery US for example). White supremacy is thus resilient to these apparent contradictions (and these contradictions generate further social developments, such as the shifting meanings and locations of whiteness), which is why zooming into the level of the individual is often not helpful in explaining its effects on a social level.

Weber says that I need not know Caesar to understand Caesar - that to talk about Caesar as a historical figure and as a particular location in ancient Roman society is fundamentally different than a description of him as an individual. And nobody actually talks about Caesar as an individual anyway! Even psychological or biographical profiles of him are premised on the fact that Caesar is worthy of this profile as opposed to any other person living in the Roman Republic. The reason we all know his name is that his place in history is extended beyond the individual. A Roman general and leader is fundamentally not an individual, not a private person. The very fact that I can say “Roman General” but not say any person’s name and have people understand what I’m saying is evidence of this. By definition ‘Caesar’ the historical figure is not an individual in any meaningful sense, he has power that is only available through social institutions and formations, and that is why he is known even today. Even the most liberal Great Man Theories of history locate an engine of history within the general position of Great Man (this is a fundamental contradiction within this type of thinking, the generalised Individual). If there can be more than one Great Man in history then he is not an individual, he is occupying a generalisable position in human history that can be calculated, bounded, and studied.

So it’s very frustrating to deal with! It’s an attempt to refute an explanation of a social phenomenon with individual anecdotes, much of which is already accounted for in said explanation. It makes many, many, many discussions about the social and political world endlessly repetitive and uninteresting, because you are always stuck at litigating the most basic, atomic point of reference. And of course that is the point for many people, they aren’t interested in any of this because they are racist and they are misogynistic and so on. It is an extremely effective derailing tactic, but part of the reason why it’s so effective is because individualism is such a pervasive mode of thinking. All of the groundwork is already laid out for people who say white privilege isn’t real because the social and epistemic infrastructure necessary to get other people to buy that argument has already been built for them to make that type of claim. Which is why the people who smirk at the camera when they say shit like this are so pathetic because they behave like they thought of that all by themselves, unaware or (more probably) deliberately ignoring the fact that they live in a society specifically built to facilitate, automate, and celebrate the garbage coming out of their mouth

#too lazy to cite directly but I’m engaging with Sylvia Wynter + Omi & Winant’s racial formation theory for the white supremacy history #And Bourdieu + Weber for the social/individual divide. Specifically Bourdieu’s theory of bureaucracy #I can scrounge up book/article titles for these if people want them I just don’t remember them off the dome #book club

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nonaltercdd · 6 months ago

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For being a dissociative disorder the CDDs are the ones who I see less of dissociative symptoms be talked about in the community

So I thought, why not make a post about some of the dissociative symptoms the CDD has!!

Depersonalization: Depersonalization is one of the big levels of dissociation that, in certain cases, can be categorized as a disorder in company of derealization. Depersonalization can present in various forms, but as general definition it's when someone it's so dissociated from themselves that they don't feel connected to their body or sense of self, just like you were external to yourself

Derealization: Derealization is one of the big leves of dissociation that, in certain cases, can be categorized as a disorder in company of depersonalization. Derealization can present in various forms, but as genera definition it's when you feel strange, fake, unreal and distorted your reality and all the things surrounding you.

Depersonalization and derealization tent to come hand in hand and sometimes together, this is most common between systems and it can overlap with a lot of other things making the experience more unique and worst for the pwCDD

"Autopilot" mode: Autopilot is a state of being in which your body reacts to what is needed and, like the name suggest, in an autopilot mode, is not necessarily a depersonalization mode cause it can come from more light dissociation, and sometimes you don't even feel it or realizate it happens (when depersonalization tend to be a semi-conscious and aware state), even though it can come hand in hand is not always like that

Crisis identity: Alters aside, being pwCDD can give you a lot of crisis identity, and when it comes to dissociative part is one you feel some kind of blurriness, disconnection, confusion and lost about you, can be because of many factors and can lead to severe impact in your personal view to the point of not being sure if you're you and questioning a lot of things about you, this kind of dissociative behavior can overlap with many factors which makes it worse

Emotional amnesia: Emotional amnesia is an specific kind of dissociative amnesia characterized by remembering the facts and/or events but feeling emotionally disconnected to that, not feeling or remembering the feelings regarding that memorie/event, and the sense of third person regarding the event, is being emotionally separated

Blackout amnesia: Blackout amnesia is one of the most named kinds of amnesia a pwCDD will experience, though is less common than emotional amnesia, the blackout amnesia is characterized by forgetting all about what you experienced, counting emotion and memory

Dissociative amnesia: Dissociative amnesia is a very big spectrum, this is why it's a diagnosis/disorder by its own. But for being general dissociative amnesia is when you dissociate things about yourself, this can be memories, important information, daily life, etc, to a point you end up forgetting that information

Flashback: Did you know that flashbacks are a dissociative response to trauma? You didn't? Now you know! Flashbacks are a way in which your brain dissociates from reality to relive a memory or experience you previously have, in this connotation, a traumatic experience

"Non-pain" mode: Sometimes even hurting yourself (accident or not) you can't feel the pain of that, it's like that physical damage isn't yours, this is a kind of dissociation more connected to how the brain is connected to your body and the sense of physical pain. SO sometimes your brain, aiming to protect you, dissociates from the physical pain to be "safe"

Denial: In some cases denial can be a dissociative response as a way for keeping you away from understanding and knowing you have certain trauma and passed trough certain experience. When you deny having or passing through something you tend to dissociate the memory and sometimes to the reality as a way to try keep yourself safe

Daydreaming: Daydreaming is a dissociative coping mechanism and sometimes it can come to the point of being maladaptive and dangerous for yourself. Daydreaming is a way in which trough dissociation your brain makes up a new "reality" in hopes to scape the real life and reality

Emotional disruption: Did you know that if you feel sad and then you stop being sad is dissociation? One of the dissociative ways of coping with a stressful and heavy emotion is "turning off" your emotions, or in the other hand, feeling like the past emotion was replaced by another one, it's important to note that this mood change is without any apparent explanation and you cannot return to the previous emotion cause you know feel detached to it, like isn't yours anymore. In the other hand you can be ok and a new emotion comes up to you, you feel detached to this emotion and don't have any idea where it come from and why are you feeling it, but you do, and it doesn't feels yours

Skill variation: Having in one moment one skill and in the other don't, having different skill abilities in which one time you can be good and other not that good, and all the variations within the ability to do certain skill (can be any skill, like writing, talking, moving, drawing, etc.)

"Emotionless" state: The emotionless state is when, for one or another reason, you feel empty, null, like you lack any kind of emotions, like there's a void in whee your emotions should be, this emotional dissociation can happen for many reason and in company of other symptoms, though sometimes one doesn't notice it because of this emotionless state

This are some of the dissociative symptoms I can recall at the moment, maybe there are more that I didn't put here and you want to add in comments/reblogs or you can ask me to add them to this list

Well some of this symptoms can overlap with the alter part of the disorder they're not 100% attached to them and it's important to recognize this as very prominent symptoms of the disorder, after all this is a dissociative disorder, isn't it?

If you want to add more to this or ask a question go ahead, we'll see it 100% sure!!

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